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World Music Chapter 1

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Chapter1
1. What do ethnomusicologists mean when they say, “Music is universal, but it is not a universal language”?
Ethnomusicologists perceive music in a semiotic view in which the music is a series of symbols that can be interpreted, not a series of words that can be read.
2. What are the potential problems in classifying music as “classical,” “folk,” or “popular”?
In each culture, different styles of music may be considered to be one classification in one culture, and something else in another. What may be popular to some may not be to others.
3. How might an ethnomusicologist approach the study of Western classical music differently from a musicologist?
An ethnomusicologist may get in close to the artists and not only listen and record their music (such as a musicologist), but will also study and participate in their culture as well.
4. What is “fieldwork”? What is its importance to the study of world music?
Fieldwork is the practice of going out and listening and recording music directly from the source, the culture that is being studied. This is important in that it adds direct and pure sources and examples of the music being studied which can then be compared to and studied along with music of other cultures.
5. In what ways does world music study require an interdisciplinary approach?
This is because not only is the music itself being studied (ethnomusicology), but the culture is being studied (anthropology) as well.
6. What is ethnocentrism? Have you ever experienced it?
Ethnocentrism is the belief or assumption that someone’s own cultural ways and practices are normal while those of other cultures are considered strange or…...

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